1. The Long Goodbye (Robert Altman)
2. Paper Moon (Peter Bogdanovich)
3. Electra Glide in Blue (William James Guercio)
4. Badlands (Terrence Malick)
5. Don't Look Now (Nicolas Roeg)
6. The Sting (George Roy Hill)
7. American Graffiti (George Lucas)
8. The Spirit of the Beehive (Victor Erice)
9. Westworld (Michael Crichton)
10. World on a Wire (Rainer Werner Fassbinder)
Honorable Mentions: Sleeper (Woody Allen), O Lucky Man! (Lindsay Anderson), Mean Streets (Martin Scorsese), Fantastic Planet (René Laloux), Charlotte's Web (Charles A. Nicholas & Iwao Takamoto), The Last Detail (Hal Ashby)
Best
Actor
* Robert
Blake – Electra Glide in Blue
Malcolm
McDowell – O Lucky Man!
Jason
Miller – The Exorcist
Robert
Mitchum – The Friends of Eddie Coyle
Jack
Nicholson – The Last Detail
Martin
Sheen – Badlands
Best
Actress
Ellen
Burstyn – The Exorcist
Julie
Christie – Don’t Look Now
Glenda
Jackson – A Touch of Class
Tatum
O’Neal – Paper Moon
* Sissy
Spacek – Badlands
Liv
Ullmann – Scenes from a Marriage
Best
Supporting Actor
Robert
De Niro – Mean Streets
* Sterling
Hayden – The Long Goodbye
Ben
Johnson – Dillinger
Paul Le
Mat – American Graffiti
Robert
Shaw – The Sting
Best
Supporting Actress
Candy
Clark – American Graffiti
P.J.
Johnson – Paper Moon
* Madeline
Kahn – Paper Moon
Helen
Mirren – O Lucky Man!
Valerie
Perrine – The Last American Hero
Best
Director
Robert
Altman – The Long Goodbye
* Peter
Bogdanovich – Paper Moon
Victor
Erice – The Spirit of the Beehive
George
Lucas – American Graffiti
Nicolas
Roeg – Don’t Look Now
Best
Screenplay
Badlands (Terrence Malick)
Charlotte’s
Web (Earl
Hamner Jr.)
Paper
Moon (Alvin
Sargent)
* The
Sting
(David S. Ward)
World
on a Wire
(Rainer Werner Fassbinder)
Best
Cinematography
Don’t
Look Now
(Anthony B. Richmond)
The
Long Goodbye
(Vilmos Zsigmond)
* Paper
Moon
(László Kovács)
The
Spirit of the Beehive
(Luis Cuadrado)
The
Sting (Robert
Surtees)
Best
Editing
Badlands (Robert Estrin)
* Don’t
Look Now
(Graeme Clifford)
The
Exorcist
(Norman Gay)
Mean
Streets (Kent
L. Wakefield)
Paper
Moon (Verna
Fields)
Best
Film Score
Don’t
Look Now (Pino
Donaggio)
The
Long Goodbye
(John Williams)
Robin
Hood (George
Bruns)
* The
Sting
(Marvin Hamlisch)
World
on a Wire
(Gottfried Hüngsberg)
Best
Production Design
Amarcord
The
Holy Mountain
Paper
Moon
* The
Sting
Westworld
Best
Ensemble Cast Performance
American
Graffiti
Amarcord
Mean
Streets
* The
Sting
World
on a Wire
1973 Films Seen (33 features)
Amarcord (Federico Fellini, 1973)
American Graffiti (George Lucas, 1973)
Badlands (Terrence Malick, 1973)
Black Caesar (Larry Cohen, 1973)
Charlotte’s Web (Charles A. Nicholas & Iwao Takamoto, 1973)
Coffy (Jack Hill, 1973)
Day for Night (François Truffaut, 1973)
Dillinger (John Milius, 1973)
The Doll Squad (Ted V. Mikels, 1973)
Don’t Look Now (Nicolas Roeg, 1973)
Electra Glide in Blue (William James Guercio, 1973)
The Exorcist (William Friedkin, 1973)
Fantastic Planet (René Laloux, 1973)
The Friends of Eddie
Coyle (Peter Yates, 1973)
The Holy Mountain (Alejandro Jodorowsky, 1973)
The Last American
Hero (Lamont Johnson, 1973)
The Last Detail (Hal Ashby, 1973)
Live and Let Die (Guy Hamilton, 1973)
The Long Goodbye (Robert Altman, 1973)
Mean Streets (Martin Scorsese, 1973)
O Lucky Man! (Lindsay Anderson, 1973)
Paper Moon (Peter Bogdanovich, 1973)
Pat Garrett &
Billy the Kid (Sam Peckinpah,
1973)
Robin Hood (Wolfgang Reitherman, 1973)
Scenes From a
Marriage (Ingmar Bergman, 1973)
Serpico (Sidney Lumet, 1973)
Sisters (Brian De Palma, 1973)
Sleeper (Woody Allen, 1973)
The Spirit of the
Beehive (Victor Erice, 1973)
The Sting (George Roy Hill, 1973)
A Touch of Class (Melvin Frank, 1973)
Westworld (Michael Crichton, 1973)
World on a Wire (Rainer Werner Fassbinder, 1973)
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